Heer Ranjha

Tilla Jogis mountain (i.e. 'hill of yogis'), where Ranjha Baba had come to take refuge in Gorakhnath Hazar-Ranjha mazar in Jhang city Mausoleum

Heer Ranjha (Punjabi: ہیر رانجھا, Heer Ranjha) is one of the four famous love stories of Punjab. Besides, Mirza-Sahiba, Sassi-Punnu and Sohni-Mahiwal are the remaining three. Various descriptions of this story have been written, but the story of the famous Baba Waris Shah is the Heer-Ranjha. Damodar Das Arora, Mukabaj and Ahmed Gujjar have also written their own versions.

Essence of story

Heer was a very beautiful woman born in a wealthy family of Jati Siyal sub-caste in Jhang city of Punjab. Dhido Ranjha was the youngest brother of the four boys of the Jat family with a razor subspecies of village Takht Hazara along the banks of Chanab river. He was the beloved son of his father, so where his brothers used to cultivate fields, Ranjha flute ('Wanjali' in Punjabi) was playing the rest of life. Her sister-in-law refused to give her food and she left the house and went to the village of Heer while walking. There he fell in love with Hirore Heer gave him the job of feeding his father's cowboys. Hearing the Range flute, she became enchanted and loved her. They started hiding and hiding from each other. One day he takes a look at Hiray's jealous uncle, Cadao, and his father (Chukkak) and mother (Malaki) forced to marry Heer, a man named Saida Kheda.

Ranjh's heart breaks down and he goes to Baba Gorakhnath's famous diner, Tilla Jogis, to take a joke. The disciples of Gorakhnath are called Kanha because of their ear piercing their ears. Ranjha also roams the ear and roams the entire 'Punjab Narkhan'. After all, one day he goes to the village of Heer's in-laws. Heer-Ranjha people come to the village of Heer where Herar's parents allow them to marry but Heir's uncle Kaado burns them happy. On the wedding day, Cadao poets add poison to the meal. Listening to this news, Ranjha comes running to save her but it is too late. Ranjha suffers more suffering from tolerance and eats the same poisonous laddoo and breathes sigh of herbs. They are buried in the city of Heer, Jhang, and people from all sides come to visit them and remember them. Different forms of the story

Damodar poet, in Akbar & # 39; s reign, Jia and his friend, Hiray's father, tells a friend of Chukchak and says that this is all my eyes seen phenomenon. After Damodar (1572 AD), about 30 cases in Punjabi literature are available in the name of "Heer" or "Heer Ranjha", in which Gurdas (1607), Ahmed Gujjar (1792), Guru Govind Singh (1700), Mian Chirag Avan (1710) All the well-known the stories of Mukal (1755), Waris Shah (1775), Hamid Shah (1805), Hashim, Ahmadar, Pir Muhammad Bakhsh, Fazlashah, Maulashah, Maulabakh, Bhagwan Singh, Kishansingh Arif (188), Sant Hazrat Singh (1894) and Gokulchand Sharma Are you, but He did not get any other poet received the work of fame heirist. The novelty of dramatic language, allegations and indirects, the expansion of cognition, the idealism of conduct behavior, the interpretation of Ishq Hajiki by Ishq Hajiki, the description and the sense of the expressions, etc. have many characteristics of their story. The use of bat stanza is very successful in this. In terms of depiction, visual description, imagination and literary in rural life, Mukal can be considered as the equivalent of "Heer Ranjha" heir's "Heer". Also see them

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