mahadevi Verma

Mahadevi Verma (26 March, 1907 - 11 September 1987) is one of the most talented poets of Hindi. They are considered to be one of the four pillars of the shadowy era in Hindi literature. Being one of the most powerful poets of modern Hindi, they are also known as modern Meera. The poet Nirala has also called him "Saraswati of the huge temple of Hindi". Mahadevi saw India before independence and even after that. He is one of the poets who, working in a wider society, looked at the present hayakar, the river, and tried to give a vision to overcome the darkness through compassion. Not only his poetry but his work of social reform and consciousness of women also have been affected by this view. He decorated the pain of his heart with so much affection and love that in Deepshikha he was established as the suffering of the people and he not only impressed the readers but also deepened the audience.

He developed that soft vocabulary in the Hindi poem Hindi, which till date was considered only possible in Bijbhasha. For this, he chose Hindi words like Sanskrit and Bengali favorable for his time and added Hindi. Due to the knowledge of music, the euphemism of their songs and the euphoria style is rarely elsewhere. He started his career with teaching and till last time he remained Principal of Prayag Mahila Vidyapeeth. He had a child marriage, but he lived as a single mother. The talented poet and prose writer Mahadevi Verma was skilled in literature and music as well as a skilled painter and creative translator. He has the distinction of receiving all the important awards of Hindi literature. Mahadevi Verma's name in the literature sky of India is as bright as the Dhruv star. As the most popular female literary teacher of the past century, he remained a life-long worshiper. The year 2007 was celebrated as their birth centenary.

Biography Main article: Introduction to Mahadevi Verma Birth and family

Mahadevi was born on March 26, 1907 at 8 am in Farrukhabad, Uttar Pradesh, India. The daughter was born for the first time in her family after almost 200 years or seven generations. So Baba Babu Babeke Vihari jumped to Harsha and assumed the goddess of the house as Mahadevi, the name of the daughter was kept as Mahadevi. His father Mr. Govind Prasad Verma was a professor at a college in Bhagalpur. His mother's name was Hemariani Devi. Hemariani Devi was a big religion, a devout, passionate and vegetarian woman. At the time of marriage, he brought the statue of Lord Shiva as well, he used to devote many hours of worship and daily Ramayana, Geeta and Vinay Patrika and he was also very interested in music. On the contrary, his father Govind Prasad Verma was a handsome, carnivorous and cheerful man, beautiful, scholar, music lover, atheist, hunting and walking. The names of Sumitranandan Pant and Nirala can be taken in the Manas brothers of Mahadevi Verma, who kept them busy for life. He had very close proximity to Nirala ji, Mahadevi ji kept his rakhi for nearly forty years in his supportive kalves. Education

Mahadevi ji's education started from Mission School in Indore; Sanskrit, English, Music and Painting were taught by teachers only at home. Due to interference in the middle of the marriage, the education was postponed for a few days. After marriage, Mahadevi ji joined Crowstwit College, Allahabad in 1919 and stayed in the college hostel. In 1921, Mahadevi ji secured first place in the eighth grade in the province. Here he started his poetic life. He started writing poetry from the age of seven years and till 1925 when he passed matriculation examination, he had become famous as a successful poet. Your poetry was being published in various journals. In college he became close friends with Subhadra Kumari Chauhan. Subhadra Kumari Chauhan took hold of Mahadevji and took her in the middle of the eyes and said - "Listen, this poem also writes". When he passed his MA in Sanskrit from Allahabad University in 1932, his two poems collection Neehar and Rashmi were published. married life

In 1916 his Baba Shri Banke Vihari married him to Shri Swaroop Narayan Verma, resident of Nabav Ganj town near Bareilly, who was then a Class X student at that time. After entering Mr Verma, living in the boarding house at Lucknow Medical College. Mahadevi ji was in the hostel of the Krrishvat College, Allahabad. Mrs. Mahadevi Verma was immersed from married life. Whatever the reason, there was no animosity with Shri Swaroop Narayan Verma. As a normal man and woman, their relationship remained sweet. Both had occasional correspondence too. Occasionally Mr. Verma used to come to meet him in Allahabad. Shri Verma did not get another marriage even after Mahadevi ji. The life of Mahadevi ji was the life of a sanyasinini. He wore white clothes throughout his life, slept on the cottage and never saw a mirror. After the husband's death in 1966, he started living permanently in Allahabad. Workspace With Mahadevi, Hazari Prasad Dwivedi etc.

Mahadevi's work area was written, edited and taught. He made significant contribution in the development of Prayag Mahila Vidyapeeth in Allahabad. This work was a revolutionary step in the field of women's education in its time. She was also the Principal and Vice-Chancellor. In 1932, he took charge of women's leading magazine 'Chand'. Neeraj in 1930, Rashmi in 1932, Neerja in 1934, and in 1936, composed the four collections of compositions of Sandhuji. In 1939 all these four collections of poetry were published with their artwork titled Yama in the Capital. He established new dimensions in all fields of prose, poetry, education and painting. Apart from this, he has 18 poetry and prose works in which my family, lines of memory, companions of the path, series of episodes and past films are prominent. In 1955, Mahadevi ji founded the literary parliament in Allahabad and took over the editing of the literary with the support of Pt Achalchandra Joshi. This was the mouthpiece of this organization. They laid the foundation of women's poet conferences in India. This first All-India Poet Conference was held on 15th April 1933 at Prayag Mahila Vidyapeeth under the chairmanship of Subhadra Kumari Chauhan. He is also considered the promoter of mysticism in Hindi literature. Mahadevi was very influenced by Buddhism. With the influence of Mahatma Gandhi, he worked in Jhansi with the help of Janseva and also participated in Indian freedom struggle. In 1936, Mahadevi Verma had built a bungalow in Umagad of Ramgarh town 25 km away from Nainital. Whom he named Mira Mandir. The number of days he worked for the education and development of this small village here. In particular, he did a lot of work for women's education and their economic self-sufficiency. Nowadays this bungalow is known as Mahadevi Sahitya Museum. He has also been called a woman libertarian by the courage and perseverance he has raised for the liberation and development of women in the series and in the same way he condemned social values. They have also been called social reformers due to the development work of women and education and public services. His full prose literature does not have any vision of pain or pain, but a natural attachment to the unarmed aspiration and development of change in an indomitable creative fury society is reflected.

He spent most of his life in Allahabad city of Uttar Pradesh. He died on 9th September 1987 at Allahabad, at 9.30 pm. Major works Main article: Mahadevi's creation world

Mahadevji was a poet as well as a special prosecutor. His works are as follows. Panthe is your merry Mahadevi's signature Mahadevi Varma's main prose works Poetry Collection

Many other poems compiled by Smt. Mahadevi Verma are also published, in which the songs selected from the above compositions have been compiled, such as Atika, Parikrma, Sandhini (1965), Yama (1936), SongParv, Deepjeet, Souvenir, Nilambara And modern poet Mahadevi etc. Mahadevi Varma's prose literature

In other essays, sermon, memory pictures, conversation, storage, visions are notable in conceptualization and diverse collections. He is also editor of the popular magazine 'Chand' and 'Literature' magazine of his time. In order to promote Hindi, he also established 'Literary Parliament' and 'Rangarani Natya Sanstha' in Prayag. Child literature of Mahadevi Verma

Two compilations of Mahadevi Verma's poems are printed. Criticism Main article: The poetic characteristics of Mahadevi

Mahadevi ji's place in the modern poetry poetry is paramount. In his poem, due to the intensity of affection and love of the present, Triveni like spirit, language and music flows in his songs, but it is rarely elsewhere. The pain, love affair, compassion, and mysticism of Mahadevi songs attract attraction among people. But anti-criticism of these creations misleads the general reader. A class of critics is one who follows this assumption that Mahadevi's poetry is very personal. Their pain, pain, compassion, artificial and artificial. It is true that Mahadevi's poetic world comes to the periphery of shadow, but to see his poetry unmasked by his era, injustice must be done to him. Mahadevi is a conscious creator. During the famine of Bengal in 1943, he published a poetic compilation and wrote a poem titled "Bang Bho Shant Vandana" related to Bengal. Similarly, in the antitrust of China's invasion, the poetry collection of Himalaya was edited. This compilation is proof of their interpretation.

He also did little work in the field of prose literature. His criticism is very important as his poetry. Their memoirs are memorable memoirs of Indian life.

He did not do painting more, though his paintings made of 'Wash' style in watercolors are considered to be the beautiful specimens of art due to blurry and colorful lines. They also made sketches. On the right side, a sketch created by Mahadevi is kept on the cover of Shamer's book. Their colorful paintings and drawings can be seen in their own poetry collections Yamaha and Deepshikha. Awards and honors Postcase

They get prizes and honors from all administrative, semi-administrative and individual organizations. Mahadevi Verma's contribution Specific places associated with Mahadevi

Mahadevi Verma's appearance in the literature took place at the time when the shape of Khirbooli was refining. He gave soft language to Hindi poetry, gave a new collection of songs to the verses of the verses and gave heartfelt acceptance of pain to Indian philosophy. Thus, he did such an important work in language literature and philosophy in all the three areas that have influenced a whole generation coming. Shachirani Gurtu has also considered his poem as an exemplary example of a well-equipped language. He composed his songs in style and language with a unique rhythm and simplicity, as well as a beautiful and natural experimentation of symbols and images that draws the picture in the reader's mind. His contribution to the prosperity of shadow poetry is very important. Wherever Prasad gave the idol of Shadowist poetry, Nirala incarnated the freakishness in it and Pant gave him a fine art, where Mahadevi ji attained the distinction of honoring his life in the art of shabad. The depth of expression and cognition is the most prominent feature of his poetry. Such a living and tangible expression of the nuances of the heart of the heart, making them 'Mahadevi' in the shadow poets. Those who speak Hindi are remembered with respect to their speeches. Their speeches were firmly convincing towards the general sense of humor and truth. He was the Chief Guest of the closing ceremony of the Third World Hindi Conference held in Delhi in 1983. In his speech given on this occasion, his attributes can be seen.

Although Mahadevi did not write any novels, stories or plays, the prose which he wrote in his essay, essay, drawing, memoirs, roles and folk essays is an excellent example of the best prose. There is a whole variety of life in it. Without any imagination and poetry, no creator can earn anything in prose, it can be known only by reading Mahadevi. His prose has ideological maturity so much that it is still relevant. In his ideas related to social reform and women's freedom, there is unmatched reconciliation of persistence and development. Such an intense vision of touching the deep layers of social life, the intense and exploiting of women's life with sharpness, and so much of the consciousness of the lower classes, the unique pictures of the inefficient creatures, they gave the first time to Hindi literature.

Apart from the original creator, there is also a form of creative translator whose philosophy is in his translation-translated 'Saptaparna' (1960). With the help of its cultural consciousness, he has presented Hindi cremation of selected selected parts in this work by establishing the identity of the works of Vedas, Ramayana, Theagotha ​​and Ashwaghosh, Kalidas, Bhavabhuti and Jaidev. In the initial 61-page 'his talk', he has done extensive research work in connection with this precious heritage of Indian Manisha and literature, which not only enhances feminine writings but also enhances the overall contemplative and fine writing of Hindi. Also see them Commentary

A. The other three pillars of Shadowabad are: Jaishankar Prasad, Suryakant Tripathi Nirala and Sumitranandan Pant.

B. The harp of the huge temple of Hindi, the image of the composite consciousness is Kalyani - Nirala

He opened the door to expression of human human beings by converting the vertical Hindi dialect and softness, giving the glory of Deepshikha to Virah and establishing the human element of humanistic poetry. The euphemism style of their songs, the beauty of the songs, and the sharp words, is rarely elsewhere. -Nisha Sehgal

"Due to this pain they have put forward such feelings of heart, which are extraterrestrial. Where are these real experiences and how far the fantasy of perfection can not be said. "- Acharya Ramchandra Shukla

E. "Mahadevi's 'I' is the name of everybody from the contextual difference." The truth is that Mahadevi goes towards humanity from the microcosm. The welfare of the world lies in their suffering, pain, compassion and sadness. -Hazari Prasad Dwivedi

f In fact, the center of sensation and creation of Mahadevi is not a tear. The scene which is not the last truth, which is invisible is the original or inspirational truth. Mahadevi writes: "If there is a demand for clarity of the flame, there is a flowing point of the iceberg, then see these lines: In the storms / tears flowing in my disbelief, These tears are not easy to tears of simple pain, behind them, how many fires, thunderstorms, catastrophes, revolt, and rebellion are hidden. -birthless

is The poem of Mahadevi ji is a unique example of a well-equipped language - Shishani Guru

J. Mahadevi's lyrics can be described as a wonderful achievement at the level of configuration, language, symbolism and rhythm. -Krishna Datta Palival

J. is a Mahadevi, who also has experienced the poetry of poetry in prose and has rendered the words 'Pradhan poets and criteria'. The strange thing is that neither he wrote novel, neither the story nor the drama is still the best of the prose actors. In his book writing, there are sketches, memoirs, or travels on the other, on the other hand editorials, roles, essays and addressing, but all of them have a wide variety of life. Any creator can earn so much in the prose for avoiding imaginative forms, it can be known only by reading Mahadevi. -Ramaji Pandey

J. Mahadevi's prose proved to be a prose in his life. Grown, there is a blown prose. His prose, written in 1956, is relevant even today after 50 years. She has not been old. -Rajendra Upadhyaya Bibliography

   

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