List of folk dances
India is united in unity, like the bouquet in which flowers and leaves of different colors are kept in such a way that their splendor becomes diploid. Likewise, in different countries and regions of our country, along with their different languages and cultures, these areas have a rich heritage of their own folk songs and folk dances: those which are lost somewhere in the glare of electronic media today. Has been. Literature without literature: Clearly beautiful: Necropolis.
The person who is illiterate literature is like an animal, although he does not have horns and tail, yet the animal is like that, scholars believe that the tribes do not sing dancing - their culture dies, ends It happens. The need is such that if we can not keep up with the extinction of these folk dances and folk songs, then the information will not remain for the next generation. Sadhaanayya: It is found that people are seen walking and tapping on the tunes of songs and those who are a kind of people, they are enjoying the songs only, and there are definitely some humming of mind and some people hide between the four walls. There are dancing singers or some people do not forget the melodious songs, remembering the mind, internal and mental dance is the same, otherwise they are happy to hear, the fact is that It is a dance that is related to the song. On the other hand if there is a desire to dance or to organize a dance then there is a need for lyrics and music, through which expressing the meaning of the lyrics of the words through the physical and mental expressions. Entertain and attract viewers and listeners. In this way dance has a deep association with song and music and they are complementary to each other.
Dhobi-dance
This festival is considered incomplete in the celebration of the dance which is performed by the Dhobi caste, which means that the dance, ringing, cymbals, stairs, knees, bells are played. . The turban on the head, the trunk in the waist, the curtains in the paws, and the kalas in the hands with the kalas in the hands, horse tumuk-tumuk starts to dance while the singer dancers also wakes up with him. . This is an exquisite dance with the color of tare, song, joke, decoration. Ahirs ki dach (furawahi)
Ahir is a culture in itself. It is a culture of heroes. Lorici, Biraha, Gadthaiya, Kurri-Furry-Kaleya, as if they come from the stomach only. But it is believed that Ahir is 'Uzabak' and his wives are intellectualized. Men wear daur, chorasi, clarinet, knees and wear dhoti in the hands and wear dhoti kurta with a turban on their head and jumps while jumping rows of songs. They make the sounds of 'ha-ha', 'hoo-hoo' in the middle. Kaleya dies. When dancing, they repeat the lines of 'Loraki Saga' or the lines of 'Birhaa'. Kahariahi (Kahruya dance)
'Kaharon' was a bookie profession train haul. Later, they also started making these utensils. For the sake of this work, it is considered mandatory to sing dancing and singing. Therefore, the song along with the motion of Chalk started munching. The 'Sanghati' started giving a rhythm to the pavement and also began to tumble. The Oriyaniya stood up and the women started repeating the song. In this way, the coordination of dance, song, instrument was formed, and a mode was born which is called 'Kahariahi'. In eastern Uttar Pradesh, where they live, these people started dancing and singing for their pleasure and pleasure, for labor-intensive, sweet melody, rhythm and rhythm. Godou dance
The 'Godou' dance is prevalent in Purvanchal's Gorakhpur, Deoria and Ballia districts. There is also a joke with dance. The main part of the dance is called 'Harbol'. Whatever it does in the form of a rage, it is called 'HerboLai'. This dance consists of songs of make-up and devotion. Natua dance Like 'Khatis', people of Charmkar caste dance 'Nautua'. When the first harvest was cut, Fergun-Chand used to go to the doorway at night and dance and sing some grain or money in return. These people danced on berry and Puri. Now, in the constituency, create a circle - semi-circle and dance and staring in comedy. Color - Apparel Ashile Jokes tells the wearing of a laminated cord. The dancers dance in the middle. A teddy stick is mandatory. The drum, the rod, the bell, the eyebrows, the rings, the pearls in the paws, the cami tied in the waist create the atmosphere of humor humor. Kholhaki dance
'Cole' is a tribe of hunter-gatherers, who hunted birds by flying 'hakwa' or animals. In this dance, the tableau of his life can be seen. After making a round or semi-ballot, drum, sitting or standing, after a day's hard work, it is performed by putting a four-wheeler. Women and children are scales. Khatikhi dancing
The Khatik cast, who sells greens and vegetables, takes a flag on the occasion of marriage, jewelery, worship, palanquin opportunities for the bliss, and take the groom in the palanquin and move fast and stay in the middle - intermittent intermittent Doing, doing dance in the tone and sometimes in the upper tone. The echo of the sky, the plate, the plate, the drum, and the hoarse velocity arises. Musical dancing
'Mussar', a victim of a rat, is a strange species of Purvanchal. They live in different colonies on the banks of villages, and in the morning with the 'saree' (a special type of rat killer), the farm runs out with the whole family in the barn. In the barn, the grains collected by rats in the bills are filled with water. One of these creeds gets two hinges. That means two prey-rat and cereal from the same pond. They come with this earning throughout the day and dance with flute and dance with flute and play 'Dhol' and 'Huduk' and dance to dance. They make themselves with the leather of the hoodoo muslin 'goat'. Dancer dance
In Purvanchal, primarily tribal habitats of 'Ghasia' caste among the remote forests of the Sonbhadra district. When they are not known in Kaimur caves, and they sell and sell Madhal, Dhol, Nagada, Flute, Scar, Sheheni, etc. and also dance and dance to them. Earlier, these kings used to make 'saic' of horses. The tradition of dancing with the whole family on occasions such as marriage, jewelery, annaprashan, mundan or holi, dussehra, dipavali etc were followed by these, when he once danced and danced by touching the dome of the untouchable. These people also exhibit many arts while dancing. Volcano goddess dance
'ifi' is a major dance of tribals of Purvanchal. As the name implies, it is done by men of the tribe of Agiya tribe in the form of a procession. In the Sonbhadra district, there is a temple of volcano goddess near Shaktnagar. In the two navratras, there are Sidh-Sarguja of Madhya Pradesh, Rohtas-Palamu in Bihar, thousands of tribals of Madras, Saurabhadra, Uttar Pradesh, Madhal, Dhol, Majri playing lanyoti, Bal Mundwakar, Roli, Bana Trishul and coming here, all around the temple. They perform dancing on the other side and worship the trident, coconut, garland or goat. This scene becomes thrilling when they take a trench in their joints and do not even get a drop of blood from Goddess grace. Agariya is a tribe of Shilpi class by making melting pot from the iron to the stone. Karma dance
'Karma' is the world famous dance of tribals. Wherever tribals are, Karma dance is definitely there. After the harvest of the Kharif crop, on the occasion of Anant Chaturdashi and then Rabi crop, this dance is done by all women - men, children and aged together in the group. Their rituals begin from about a month ago. 'Jai' is stored. The putting of karma tree is brought to the youth or village by the baga at one go. All the tribals of the village or villages bring him to the public place without dancing on the ground and plant it on him. Offer offerings and then start to dance, then the cycle runs for twenty-four hours, if the thumbs are found on the feet of Youth-Youth, they are also married. "Karma" is a symbol of love and environment. Tribal indigenous dance
'Dharkar' is a tribe which mainly runs a musical instrument or a duliya soup and runs its own livelihood and when the instrument is made then it is also possible to sing dance. These tribes, who inhabit the bamboo forests of Purvanchal, including Sonbhad in the other districts, are dancing and dancing from the time of making zodiac signs (Singha), Duffla, Shehenai, flute, Dhol, Maal, and playing. Holi in marriage, gala, fairs or markets - Deepawali, Dusshera, Karma etc. These people enchanting all the people by performing an indigenous dance. Chandelier dancing
On occasions of marriage, Gavna, Yajnopavat, Mundan, Annaprashan etc., and on occasions of Deepawali, Dussehra, Anant Chaturdhi, women join hand in hand and chant the chanting and sang by making a circle or semicircle. This dance is a major dance dance of the Purvanchal, dancing with the frequent frequency of tech and the speed and speed of the rhythm. Tribal women kill 'Kachad' and when they start dancing in their wildest garb, they get tied together. This time, they also play thapori. Mahua performs with act of tattooing tattooing, leaf breaks, tattooing. This dhangar, Dharkar, Ghasia, Goddess women, dance with a special enthusiasm on the occasion of Bijan Gadani, on the banks of river or pond. In the middle of the dance, 'I am speaking' of the forest continues. Shala dance
Shaila is a popular dance among tribals in border areas of Madhya Pradesh, Bihar, Uttar Pradesh. This dance can join the youth of the entire village. Its preparation also begins like a 'karma' from a month earlier. In the tribal nutrition, youths danced by creating a circle or a semicircle with a peacock tied in the waist. Every young man has a two-two-foot bat in his hand, with whom he keeps on moving forward. The ghungro binds with the ball and calls the 'ku-ku' or 'am-amin' in the middle, which is called 'chirva'. This dance is performed on the occasion of Holi, Deepawali, Dussehra, Anant Chaturdashi, Shivratri. Benedictine dance
'Bidasiya' is the state of Bihar state, but this mode is also very popular in Purvanchal. Its father is Bhikhari Thakur. Drama Pradhan This dance mode is displayed in a compassionate view of wife's conversation with the husband gone abroad or gone. This dance present in Bhojpuri dialect is very popular today. Kajari dance
This is the seasonal song which sang and danced from the fields of palm to the cities in the months of Savan-Bhadon. In the past, it used to be an orphanage, there used to be big riots. Men and women were involved in all competitions. The prostitutes of the city also used to participate This genre generated in the form of singing has now been completely converted into dance. Holi dance
Holi is basically a singing mode but now it has been made especially dubious in the region of Awadh. Hori, Jogi, Kabira is its genres. Throughout the month of Holi or throughout the month of Phalgun, this song makes special men unhygienic and vulgar. Both young men and women are involved in this dance and 'Jogira' is released between the rows of songs with drum, mananjira, harmonium, cymbals, and mudang.
Major folk dance of Madhya Pradesh 1) Karma Dance: The principal dance of Gond and Bagga tribes of Madhya Pradesh. Which is done in the areas around the circle. Karma dance song is done to praise God Deity. This dance is a symbol of karma. Which reflects the fundamental activities of tribal and public life. This dance starts from Vijayadashmi and runs till the beginning of the rain. It is believed that karma dancing is done to please the karmaraja and karmarani, usually eight men and eight women dance in it. They make a hemisposition and stand face to face and dance. One team gets up and the other team repeats. Vandhya Yantra Maddh is used. In the dance, the young man enters the other one trying to touch the thumb. It is said that Baga Karma is performed by the people of Bagga Adivasis. It is of four types with the difference between rhythm and rhythm. 1) Karma khaani 2) Karamah khaye 3) Karamwa Jhalani 4) Karamah Lahiri. In essence, the characteristics of Karma dance: This dance is important to karma. This gond is done by farmers of Baga tribe. This dance song is based on rhythm, rhythm and post operation. Karma dance is related to the wider activities of life. This dance runs from Dussehra to the beginning of the year ie from October to June. 2) Rai dance: The main folk dance of Madhya Pradesh can be divided into two parts depending on its area. Rhee dance of Bundelkhand and Rhee dance of Baghelkhand. Rai dance of Bundelkhand: Rai dance is a popular dance of Bundelkhand, it is performed on the occasion of dance festivals such as marriage, son's birth etc. Rhee dance is organized collectively in the Kareela Mela of Ashoknagar district. Here people perform their darshan in front of the temple of Goddess Rai dance in the fair. This is a religious form of rye. Rye is a dancer in the center of the dance, which is called the Bedwani in the local dialect. The task of accelerating the dance is done by a Mridangadak man. In the state of relaxation of rye dance, a folk dance called Swang is also performed which laughs and acts as a joke. After rest, the re-dance is started. What is often not found in other folktales is the rapid movement found in the mustard, then poetry composition and unique folk music. The music promotes makeup and youth. Rhee dance of Baghelkhand: Like Bundelkhand, Rhee is performed in Baghelakhan, but there is some difference in dance in here, like in the Bundelkhand, the rye dance is made by the Bednis. In the Baghelkhand, men wear feminine clothes and perform rhee dance. In addition, in the Bundelkhand, the idol is used as a musical instrument. In the Baghelkh region, Dholak and Nagiya are used. Rhee dance is especially done by Ahir males in Baghelkhand, but it is found in Brahmin women somewhere. Rhee dance is also organized on the birth of the son of Vaisya Mahajan on the birth of a son. Women dance in special currencies of hands, feet and waist. Songs of rye dance are beautiful. Apparel and jewelery of female dancers are traditional. Men danced with knees in dhoti, bana, saffa, and feet. 3) Congratulations: 'Bundhai' is popular on the occasion of births, festivals and festivals in Bundelkhand region. In it, men and women all dance loudly with musical instruments. The gentle and acrobatic acts of the dancers and their colorful attire surprise the audience. 4) Bhagoria dance: Bhagoria dance has become the cultural identity of the tribal tribal tribe of Madhya Pradesh through its unique rhythm and dandrues dance. With traditional folk songs and dance of Baga, Dussehra festival begins to flourish. On the occasion of the Dussehra festival, the married men of the Bagga community go from one village to another, where the young girls of the other villages welcome them with their singing and dandariyan dance traditional way. This is an interesting tradition, in which a bag girl chooses a young man of her choice and allows her to marry him. Songs and dances included in this are inspired by this custom. The atmosphere blossoms and is away from all the problems, flows in its own rhythm.
wiki