Maharaja Ishwar Singh

'Chandramahal', imagined by Vidyadhar, built by Maharaja Sawai Jai Singh of Jaipur: Birthplace of Ishwari Singh

Birth

Maharaja Ishwar Singh was the deeply devoted king of Jaipur, despite the shortest tenure (1743-50) in history, facing many wars, music, literature, Sanskrit, fine arts and tantra. He was the eldest son of Maharaja Sawai Jai Singh of Jaipur, and grandson of Raja Mansingh (first). "He was born in Falgun Sudi Ashtami Vikram Samvat 1778 in Jaipur (see below- 'Jaipur-Darshan') Death

His untimely death took place on 12.12.1750 at the age of 30 only. Civil war for the throne of Ishwari Singh and Jaipur

It is described in the chapter "Ishwari Singh" of the "History of Jaipur" by Sir Yadunath Sarkar that after the death of Maharaja Sawai Jai Singh in 1743, his eldest son, Ishwar Singh, took over the rule, which was also ruled by the King of Delhi Muhammad Shah. Recognized.

He was sitting on the throne with the consent of the local chieftains (Asoos Sudi Purnima Vikram Samvat 1800 dated 23.9.1743, but his half brother Madho Singh wanted the rule of Jaipur, because his father, Sawai Jai Singh, had died in 1708 in Mewar At the time of one of his marriage to the princess, he had given the oath to Maharana, that after him (not God), the son born to the queen of Mewar will sit on the throne of Jaipur, only from the Queen of Mewar. Nema beta was Madhosimha.

But when Ishwar Singh announced his intention to become the ruler of Jaipur before the fulfillment of his conspiracy, then Naras Madhosing attacked Maharana in 1744 with Maharana of his uncle, Udaipur and Kota and Bundi kings together. But Ishwar Singh's Prime Minister Rajamal Khatri and Rao of Dhula Thaana ..., responded to the joint attack, near the Rajmahal (Tonk), where today Bisalpur dam has been built, the attack failed.

"In the favor of Maharana Jagatsingh Madho Singh (I) of Udaipur, in favor of the eldest son, Ishwari Singh, as the heir to Maharaja Surjamal Jaysingh of Bharatpur." Once again the battle between the two brothers in Bhilwara's Shippur town and the victory of Ishwari Singh in March 1747.

One year later, in May 1748, supporters of Madhosinh Peshwa pressed Ishwari Singh to hand over four or five (?) pargas to Madho Singh. On being refused, in 1748, Madhosim attacked Jaipur with the kings of Maharana, Malhar Rao Holkar and Kota, Bundi, Jodhpur and Shahpura of Udaipur and then attacked the city. Maharaja Surjamal also reached with the help of ten thousand soldiers to help Ishwar Singh. And in August 1748, 20 miles away from Jaipur, in the wake of the leadership of Senapati Hargobind Natani in Bagu, Jaipur again won the battle. "

Ishwari Singh had great faith in his other minister, Keshavdas Khatri, but he was not happy with Hagvind Nathani. Since Keshavdas Khatri was also respected in the Marathas and Malhar Rao Holkar also believed in him, after the battle of the palace, Hargovind Nathani seduced the king that Keshavdas Khatri is in the midst of the Marathas from the inside and the attack on Jaipur is on the spirit of the same "It is coming, Ishwarsinh assures that without confirming this fact of nataling, Keshavdas Khatri was poisoned and killed by one day.

After Keshavdas, Hargovind Nathani was to get the post of 'Chief Minister', he got it. | The old people of Jaipur still remember this saying "Minister-Moto Mario when Suu Kyabdas, then left Suan Isar Raj Karan Re Aas". Construction in Jaipur

Built in the eighteenth century, Maharaja Ishwari Singh built the tallest tower 'Eisalat' aka 'Sargasuli' in the city of Jaipur, in memory of his three victories in Jaipur Civil War.

Raja Ishwar Singh constructed a magnificent tower of seven volumes in 1749, in the wake of this victory over the seven enemy enemies, in the presence of this victory (Govind Devbhaji's devotee). He also constructed an artificial umbrella, Moti-Burj, for the observation of the Ganjauri fair in the local 'Chaugan-Maidan', for the worship of the 'Gangaur' of the majestic women and the Shravani Teej / Chaitra Shukla Tritiya for the annual Ganjaur fair. . Eisalat alias Saragasuli

Since the construction of this tower was done by Maharaja Ishwar Singh, that is why its name was 'Eisalat'; But in the local language it is known more by the name of 'Sargasuli', due to 'appears to be touching the paradise'.

This tower, which is visible in 'Tripoliya Bazar', is actually made up of 'Ashishbazaar' shops situated behind it, not in Tripoliya. This seven-storey octagonal tower visible from Tripoliya area in Parakota area was made in 1749 by King Ishwar Singh in line with the map of Ganesh Khawan, a royal court. After entering the small entrance to 'Eiselat', the narrow rounded stairs progress towards rising upward, respectively. There is a gate on each floor of the column, which opens in the tower of the tower. The building-style of this building built in seven segments is a combination of Rajputs and Mughal-Vastu-genres. In the Mughal style, this architecture, similar to the minarets on the four corners of the mosques, has a rounded umbrella on the head. In 'Gulabi-Nagar' (i.e., situated in the middle of the Parakota area) its color is dark 'yellow'.

The entry of the public was prohibited for several decades - but for tourism development, it has now been opened for the general audience by stamping it, because of the globular, octagonal umbrella on the summit of the waves, from where the old Jaipur city Panoramic view of you appears.

Kavishiromani Bhatt Mathuranath Shastri has expressed these expressions in a complimentary poem about this monument in Jaipur Vaibhav, using a superlative ornament: "The gold dome whose upper domes is embracing like sky due to height Like God, with Gods, for the dialogue with Gods, Ishwar Singh ji has made such a high that the Sun-ray till which the god Uskil is allowed to reach "....."

Srikrishbhatta Kavikalanidhi, the great poet of Sanskrit and Brajbhasha, also described the life-style of Ishwar Singh in addition to other Raj Purushas in his book, Ishvarvilas epic, written on his Jaipur. Sargasuli and some legends

There are some interesting legends related to this tower 'Eisalat' in the literature related to the history of Jaipur. In the locals, the impression is that 'Maharaj used to sit here and see the beauty of a nearby mansion.' But this is probably not true. Indeed, Bundi was one of the defeated states in the wars from Jaipur. The famous charan princes there were sunamalla mixture. Suryamall wrote the poem "Unhappiness" by winning the Kavigagrant Dynasty of Bhiwandi in his Pingal language, in the poem "Bubandi" of Jaipur, "King Ishwar Singh constructed the Sargasuli, to see 'the beautiful daughter of her general Hargobind Ntani' To be done. " However, by reading the unaware page of Jaipur-history, it is essential that 'the king was enamored on the infinite girl of her lord Hargobind.' Coins of goddess

Ishwar Singh's silver and bronze muds were kept on 1743 AD, on one hand, Mubarak emperor Ghazi Muhammad Shah was on 1156 and on the other side Jab Sawai Jaipur was shown as Mannat Mansu, 29, on the other. It weighed 175 granules Ishwar Singh accused of killing his elder brother

Ishwarsinh was the elder brother's name, Shivsinh. At the age of 22, his untimely death took place in Mathura. The reason behind the death of Shivsinh's famous author of 'Vasant Bhaskar' has been told that on the inciting of the son "Ishwar Singh, Sawai Jaisingh had poisoned him and killed his son with the help of his queen", but like Yadunath Sarkar Historians consider it 'gapp' and do not accept it. Suicide

'Jaipur-Darshan': Pradhan Editor: [Dr Prabhayyal Sharma 'Sahradi' natakaryya] According to the year 1978- "(30 year old youth) Maharaja Ishwar Singh when it came to know that under the leadership of Malhar Rao Holkar and Gangadhar Tanti Including the Maratha-invading army (probably Keshavdas Khatri's 'avenging of murder' (?) Has come to Niwai a few miles from Jaipur, then he is known as the most trustworthy senanayak natani Consultations on Nkt. Commander has assured him that not he worry! '

After some time, say, when Holkar took the army near Moti Dungari and put it to the halt for the purpose of attack, the commander Nathani reassured the king once again that he should not worry at all- " One lakh cachwah soldiers are in my pocket to fight against the Marathas "(one lakh Kachhwaha Mhara in Khesa). After a while, he suddenly told Ishwar Singh," Kai Karun, I am a blind person, my dear Only Fatagyo ("What do I do, Maharaj, my pocket has burst ...)"

And after realizing that this unfortunate day has come from the Marathas of the Darbar Sahib-Bhagat is going to see, Ishwar Singh (Poorly distressed by this unimaginable betrayal of his minister Hargobind Ntani) "Paush Dashashvi Vikram Samvat 1807 ("Dated 12.12.1750) committed suicide in midnight with snake bite and poisoning, including his three leading ladies and a special servant. In addition to the monopoly, no trace of Maharaja's suicide was felt in Rajmahal or city Jaipur till late. "

"Three hours after the sunrise, Khanderao Holkar and Gangadhar Tanti had reached the pavement of 'Sawai-Jaipur', when Malhar Rao stood ready to wait six miles for his battle with his army on the dawn of war. When even on the arrival of these Maratha people, they did not see any movement of attack or 'rescue' from the palaces, then in the afternoon, they stepped into the majestic residence 'Chandramahal', where they reached It was reported that Ishwar Singh, the young king of Jaipur-Raj, is no longer in the world, after 18 hours of death, the raja's ritual was done.Of 121 women of Ranniwas sati after their suicide. "..." / p>

In addition to Ishwar Singh, the funeral of all Jaipur kings (cremation) was taking place in Gator's umbrellas (traditional cremation grounds in Brahmapuri), but "he was given fire around the Gupchup Palace complex." (Excerpt: Yadunath Sarkar; Book mentioned above: Page: 22 9) God Lion's umbrella (cenotaph)

In the place where he was cremated, in today's park, there is a canopy of Maharaja Sawai Ishwari Singh in front of the Tal-bowl pond, round goggles, standing on the four pillars above eight and below four angles, in the inner part Artistic bells and eight murals are still there. Seven murals made of indigenous colors are related to the events of Ramayana and a picture from the Mahabharata, in which the Maharaja Ishwar Singh himself has been portrayed. Under these graffiti, the four-edged floating wings spread on the corners of the four pillars have also been engraved. From the time of the formation of the umbrella, the entire flame is burning and even if historians believe their rule is weak, ineffective and unreliable, this place is recognized as 'place to fulfill the wish of the locals'. [ 2]

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