Suryakanti Tripathi 'Nirala'

   

Suryakant Tripathi 'Nirala' (February 11, 1896 - October 15, 1961) is considered to be one of the four pillars of the shadowy era of Hindi poetry. Apart from his contemporary other poets, he has taken a lot of support to Kalpana in poetry and has portrayed reality with prominence. They are considered to be the originators of free hide in Hindi. He writes in the role of Parimal, his poetic collection published in 1930- "The liberation of human beings is also liberated. The salvation of humans is to get rid of the bondage of karma and the salvation of the poem is to separate from the rule of the chants. Like a free man, he does not behave in a way that is unfavorable to others, all his work is done to please others, but he is free. Is. "

Life introduction

Suryakant Tripathi 'Nirala', one of the most popular literary works of Hindi literature, was born in the princely state of Mahishad (District Medinipur) in Magadh Shukla 11 Sanket 1953, according to 11 February 1896. In his story collection Lily, his birth date is 21 February 1899. The tradition of celebrating his birthday on Vasant Panchami started in 1930. He was born on Sunday so called sunkkumar. His father Pandit Ramshey was living in Tiwari Unnao (Baswada) and employed a soldier in Mahishad. They were originally from the village of Garhkola in Unnao district of Uttar Pradesh.

Nirala's education took place till high school. Later, he studied Sanskrit and Bengali independent of Hindi. Introducing the incompatibility of father's small job and the humiliation was found at the beginning. He earned the rites of sympathy with a dalit-exploited farmer only with his ignorance. Mother and her twenty-year-old father died at the age of three years. Apart from their children, the burden of the joint family also remained unfounded. The epidemic that spread after the First World War, not only the wife Manohara Devi but also uncle, brother and sister-in-law also died. Mahishad's job was inadequate to carry the burden of the remaining kinbe. After this his whole life was spent in economic-conflict. The most special thing in the life of Nirala is that in difficult and difficult situations, they did not abandon the principle and did not take the path of agreement, did not lose the courage of struggle. The latter of life has passed in Allahabad. At the same time, on October 15, 1961, he finished his marriage in a room built right behind the huge row of Raisahb located in the Daraganj mohall. Workspace

Suryakant Tripathi 'Nirala' first appointment was in the state of Mahishad. He did this job from 1918 to 1922 After that, editing, moving towards independent writing and translation work. He edited the coordination published from Kolkata during 1922 to 1923, from August 1923 in the editorial board of Matvala. After this, he was appointed in the Ganga Book Mala office in Lucknow where he remained associated with the monthly magazine Sudha from the middle of the year 1935. He spent some time in Lucknow from 1935 to 1940. After this, living from Allahabad in 1942 till independence and writing work done. In his first poem, Janmabhoomi Prabha, in June 1920, the first poetry collection was named Annamika in 1923, and the first essay, Bengali language, was published in the monthly magazine Saraswati in October 1920. He is considered the chief pillar of shadow in Hindi literature along with Jayashankar Prasad, Sumitranandan Pant and Mahadevi Verma. He also wrote novels and essays, but his fame is especially due to poetry. Major works

Poetry: - The poem of Jupiter was composed in 1916. Anamika-1923, Parimal 1930, Geetika 1936, Second Anamika, 1938, is a compilation of famous poems like Saroj Samrishti and Ram's Shakti Puja in the second part of Anamika. Tulsidas 1938, Kukurmutta 42, Anima 43, Bela 46, New leaves 46, Archana 50, Aradhana 53, Song Kunj 54, Sandhakkali, Apara.

The novel: - Apsara, Alka, Prabhati 1946, Nirupama, Kuli Bhat, Billesur Bakerha.

Storytelling - Lili, Chaturti Chamar, Sukul Ki Biwi - 1941, Sakhi, Devi.

Essay - Rabindra Kavita Kanan, Manashakti Padma, Managing Image, Whip, Selection, Collection.

पुराण कथा- महाभारत

Translation: - translation from Bengali to Hindi by Vivekananda and Rajyog in Bharat, Anand Matha, Toxin tree, KrishnaKant's will, Kapalkundla, Durgesh Nandini, Raj Singh, Rajarani, Devi Chaudhary, Yugalagulya, Chandra Shekhar, Rajni, Sri Ramkrishna Vachanamrut; Criticism

Suryakant Tripathi 'Nirala' is the biggest feature of poetry, painting-skill. Whether there is an inner feeling or the visual form of the outer world, the musical sounds or colors and the smell, the living character or the natural scene, mixing all the different elements together, the uniquely present such a vibrant picture that the reader is through the pictures It can only reach the heart of Nirala. In the pictures of Nirala, not only his sense of self, but his contemplation also remains. Therefore, many of his poems produce philosophical depth. Due to this new illustration skills and philosophical depth, often the poems of Nirala become somewhat complex, which, in spite of not understanding, the thinkers accuse them of misery and so on. His peasant inspiration inspired him to go beyond the land of shadow and build a new land of realism. Looking at special situations, characters and scenes, identifying their heart and making them the subject of illustration is a remarkable feature of the realism of Nirala. There is also the effect of life-threatening trends like Spirituality and Mysticism on the other side. Because of this effect, they often dream of conquering miracles and ending conflicts. The power of Nirala is that they do not sit on the faith of miracles and do not steal the eyes from the real challenge of struggle. Somewhere in the midst of mysticism, they go against the real life experiences. The light is spreading on every side, life is sunk in the wondrous ocean, and so are such things. But this mysticism is not permanent in the illusion of Nirala, it proves to be fleeting. Many times they flirt with unimportant words, sounds, etc. It's hard work to give these fists the name of art. But generally they do great miraculous artistic experiments through these fishes. The characteristic of these experiments is that they are helpful in expressing the subject or sense more effectively. The experiments of Nirala have a special kind of courage and awareness. This courage and awareness only makes Nirala different and distinct in poets of their era. Also see them Overseas

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