Skanda Purana

Scandapuraan is the largest in the Puranas in terms of detailed discussion of various subjects. Being named by Lord Skanda, its name is 'Skanda Puran'.

It is available in both continental and coded forms. There are 81-81 thousand verses in both segments. In the volcanic Skanda Purana, there are seven segments - Maheshwar, Vaishnava, Brahma, Kashi, Avanti (Tapti and Reva Khand), Nagar and Prabhas - respectively. In the Codex Scandapuraan, there are Suntkumar, Shankar, Brahma, Solar, Vaishnava and yarn-six codes. The glory of pilgrims in Badrashashram, Ayodhya, Jagannathpuri, Rameshwar, Kanyakumari, Prabhas, Dwarka, Kashi and Kanchi etc; Ganga, Narmada, Yamuna, Saraswati etc. Descent stories of the origin of rivers; The greatness of Ramayana, Bhagavadari texts, Mahatmya of different months and Shivratri, Satyanarayan etc. have been presented in very interesting style. Geographical knowledge and the fine presentation of ancient history through strange stories is its specialty of this mythology. Even today, different fast-food festivals can be seen in the house of India.

It has everlasting teachings of cosmic and parallel knowledge. In this, the beautiful characters of many saints and Mahatmaas have been designed with religion, morality, yoga, knowledge and devotees. Even today, the views of the practices described in it can be done in the house of Hindu society. In addition, there is a fascinating description of Lord Shivki Majesty, Sati-Chak, Shiva-Parvati-Marri, Karthikai-born, Tarakasur-Adhikari etc.

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Skanda Purana is a century old Purana. In which the description of Shiva's glory is described, Vyasji has described the meaning of its meaning in Skandapuraan. Skanda Purana is comprised of eighty thousand shlokas and seven segments. The first section is named Maheshwar clause, it has fewer than twelve thousand verses. The second is Vaishnavkhand, the third is Brahmkhand. Fourth Kashishkhand and fifth caste are respectively the Nagar Khand and Prabhas segments respectively. Skanda Purana brief information

In Skanda Purana, there are two major sections along with the main sections, which are briefly described as follows - Maheshwarkha

The name of the first section is Maheshwar clan, it is full of the most sacred and great stories, it has hundreds of excellent characters. In the Keshar Mahatma within the Maheshwar section, the Purana has been started, the first is the story of Yak Yajna, followed by the description of the Shivalinga worship, then the story of the sea monthony and the character of Devraj Indra is described, then Parvati's anecdote and There is a context of their marriage, then there is a description of the war with the birth of Kumar Skand and his war with Tarakaasur, then the epic of the poem and the story of Chand, then the messenger It is the statement of appointment and connection with Naradaji, after which there is the story of Panchatirth in the context of Kumar Mahatmya, the story of Dharmavarma Raja and the character of rivers and seas, is the story of Indradyuman and Nadijung, then there is the story of Indradyumna and Nadijung; The story of Daman is there, then there is the story of Sakri Sangam and Kumaras of Maha, after which the Tarak war with the various anecdotes and the execution of Tarakasur Nn is, then there has been a tale of Pancling placement Subsequently islands of Punyamyi described above realms conditions Universe status and its value and Vrkreci narrative, then Vasudev describe Matmy and Kotitirth. Accordingly, in the Guptas, the narrative of Nana Tirthas has been said, with the help of the holy stories of the Pandavas and the help of Barbariq, there is the context of the means of Mahavidya, then there is the end of the pilgrimage, there is also the Mahatma of Arunachal and the dialogue of fad and Brahmaji. The description of the penance of Gauri and the descriptions of different shrines there, the story of Mahishasur and the supreme marvelous event of his slaughter has been called. Vaishnav-Khand Lord Kartikeya

The second is Vaishnavkhand, it describes the first land and the dialogue of Lord Varah, then the description of the story of Kamla and the status of Srinivas, is the description of the story of the potter and the glory of the river Yamuna, then there are many anecdotes There is an amazing story of Bharadwaj, after which there is a description of the paparazzi dialogue of Matang and Anjan, then the glory of the Purushottam region of Utkal Pradesh has been called, Legend of Arkndeyji, episode of King Ambrish, mentions good fiction narrative Indradyumna and Vidyapati. Brahman! After this there is a narrative of Jammin and Narada, then the description of Neelkanth and Nrusingh, the story of Ashwamedh Yajna and the departure of Raja Aa Brahmakal has been said, then there is the method of Rathayatra and chanting and bathing. Then there is the legend of Dakshinamurthy and the story of Pundiva, description of the chariot defense and Lord's sleeping festival, followed by the anecdote of King White, is the representation of Gai Ahahi Vrishya festival, description of God's dalotsava and temporal fast, With the inclusion of God Vishnu's passive worship has been rendered, then according to the means of salvation, the formation of various types of formulations has been made, then Legend of Dashavatara describe Al baths, then Bdrikashram's shrine sin destroyer Mahatmay, in the context of the glory of fire etc. pilgrimages and Grun rock, there's reason for God's residence. Then Kadalmokhan Tirtha is the story of Panchadhara Tirtha and Meerustasthan, the commencement of the Kartik month begins, in which the description of the greatness of Madanlas is mentioned, in the commentary of the comrades and in the Kartik month, the description of the deeds of each day, in the end, the Bhishma Panchak fast rendered the fast. Has been gone, who is the giver of liberation and salvation. After that, the method of bathing has been described in the path of Margashirsha, then the virtue of Pundradi Kirtan and Mala Dharana has been said, that God has been told to have a bath with Panchamrta and play the dances etc. The flower of Bhagvatpujan and the greatness of Tulsidr has been told from various types of flowers, the glory of applying God to the goddess of majesty, the virtue of staying on the eve of Kirtan and Ekadashi on Ekadashi, and the stage of awakening in the night of Ekadashi has been told. After this there is the law of fish festival and kirtan of NamahAhtyam, the virtue of God's meditation etc. and the glory of Mathura has been told, the great glory of Mathura Tirtha is said differently and the glory of twelve forests has been described here. Thereafter, in this mythology, the great glory of Srimad Bhagavat has been rendered. In this context, the mention of the dialogue of Jagaran and Shandilya has been mentioned, which is the administrator of Braj's internal affairs. Accordingly, the significance of bathing and chanting in the Magh Month is that, which is composed of various types of narrative, Magh Mahatmya has been rendered in ten chapters; Then there is the call of Shayyadan in Baishakh Mahatmya; Ayurveda is a special description of the wonderful story of Shukdev Chart Vrudh, and the virtue of Akshatriya and etc., after which Ayodhya begins its glorious journey In it there is a description of the story of Tirtha-Saryu-Sangam of Chakrityirtha Brahmtirtha Lemmokhana Tirtha Papmokhana Tirtha Sahastradhara Tirtha Swargadharitirtha Chandraharitirtha Dharmharitirtha Swarnavaritirtha and Tiloda-Saryu-Sangam, as well as Sita-Ghaghra-Sangam Goparkharthirthaarth Kshirodkatirtha and Bhaupchiktind, the glory of the five pilgrims, etc. Then the Ghoshak etc. Thirteen pilgrims are described. Again, the omnipotent significance of the Gokhak is stated, afterwards the shrines of Mandvi Ashram etc., Ajit etc and Manas etc. have been described. Brahmkhand

It has already been mentioned in the beginning of the bath and the philosophy of the bath, then the story of Galup's austerity and monster; Then there is the glory of the Goddess Chakhipartha, the glory of Vetal Teerth and the papnash etc., The greatness of Brahmakund etc. is described as the description of the glory of Hanumtakund and the fruit of Agastirirtha, the description of Ramitirtha etc. Ktirth the glory describe the effects of Sadyatirth, then Rameshwar glory preach philosophy and describes the bridge travel method splendor followed Dnuskoti etc. splendor Kshirkund etc. glory Gayatri etc. pilgrimages. After this, the great glory of Dharmaranya is stated in which in which Lord Shiva has taught the Element to the Skanda, then the origin of Dharmadhyaya is described as a virtue of the rituals and the rishvanshi of the rituals has been described, after which Varnashram is the representation of the element of religion, Accordingly, there is a description of the auspicious story of the Devasthan-division and Bakuladitya. There are five women named Shantaram Shantya Shrimata Matangini and Punayada. After this there is a representation of the glory of Indreshwar etc. and the story of Lohasur, describing Gangaakup is the character of Shriram Chandra and the description of Satyamandir, then the statement of the glory of restoration is asanadan depiction of caste description and memory-religion. After this there is a representation of Vaishnavism with many anecdotes. After this, all the religions that are adorned in it by introducing the glorious Chaturmash have been made, and then the glorification of the fasting of the festival is the narration of austerity and worship and the significance of worship, followed by the representation of the principle of Shalgram of the nature. The remedy for the execution of Tarakasur, the glory of Garud Pujan, the curse of Vishnu, the attainment of tree plantation, the experience of Parvati, the tandava dance of Lord Shiva, Formation of the glory of the name, the story of Shivlingapatan, the story of Pajavan Shudra, the birth and character of Parvati, the wonderful slaughter of Tarakasura, the statement of the greatness of Pranav, the re-interpretation of the character of Tarakaasur, the end of the valor-sacrifice, the formation of Dvadashakshmantra, The virtue of the praise of the sunrising sun and the listening of Chaturmya-Maha-yyya, has been done, which is a welfare for human beings. After this, the glorious glory of Lord Shiva in the post-Brahmin part is the glory of Panchakrishmantra and the glory of Gokarna, after this is the description of Mahavya Pradodhavrat of Shivaratri, and the story of Somaviratta's Mahima and Seamantini. Then the description of the origin of Bhadrau is described as the virtue of Bhadrau, the description of the marriage of Bhadrau, the description of the marriage of Bhadrau, the glory of Bhadrau, the description of the Mahabharata, the legend of Shabar, the glorification of Umameshwar Vrat, the glory of Rudraksh, the glory of Rudradhya and the glory of the auditory of Brahma Gandh are described. Kashishkhand

There is a description of Vindhya Parvat and Naradji's dialogue in Kashishand, the effect of Satyalok, the arrival of the deities in the Ashtram of Agastya, the transcendentalism, and the excellence of pilgrimage, after which the description of Sainamini depicting Saptapuri is to be worshiped by Lord Siva and the fire people Is the mention of the receipt. The origin of fire is the description of the origin and the origin of Varuna, the origin of Gandhavati Alakpuri er Eshpuri, Chandra Sun Mercury Mars and Jupiter's People Brahmaklok, Vishnulok, Dhruvok and Tapolok are described. After this, the epic story of Dhruvokal, inspection of Satelok, Skanda Agastya dialogue, the origin of Manikarnika, the glory of Gangaji, the praise of Ganges, and Kashipuri, the emergence of Bhairav, the rise of Dandapani and Gyanvapi, the story of Kalavati, the virtuous representation of Brahmachari, The signs, the instructions of duty-makers, the description of Avimukteshwar, the religion of the householder's yogi, the Kalnagyan, the divine of Divodas Narrative, description of Kashi, the rise of Maya Ganapati on the ground, the reverence of Vishnumaya, the salvation of Divodas, the origin of the Panchanad shrine, the origin of the Vindumadhava, the status of Vaishnava pilgrimage of Kashi, the arrival of Shuldhari Shivaji in Kashi, dialogue with the yogi, Maheshwar The name of the name of Jyesheshwar, the rise of the field of Kandukeshwar and Vyagareshwar, the dynasty of Shaileshwar Ratneshwar and Kritiveshwar, the Gods The throne of Durgasur, the victory of Durgaji, the description of Ukkareshwar, the greatness of Ukkareshwar, the story of Kideshareshwar, the story of Dharmeshwar, the story of Dharmeshwar, the epitome of Vishnu Bhuja, the saga of Vishreshwar, the glory of Vishwakarma, the dignity of Vishwakarma, the dignity of Satish, and Satish Amritesh Mahatmya Parasharanandan Vyasji's side of the columns, community community of shrines, issues The story of Kathmandap's story Vishwanathji, the description of Parikrama's journey and Parikrama, is in the Kashishakhand. Avatar

It Mahakalvn narrative, piercing the head of Brahma, atonement method tale of Shivstotr destroyed the sins of arrival Devdicsha various gods origin of fire Kpalmocn, Mahakalvn conditions, Kkleshhwar of Mahapapanashk pilgrimage Apsrakund, Punydaik Rudrasrovr, Kutumbesh The description of Vidyadhareshwar and Merkeshwara Tirtha is followed by the Swargadwar Chattu: Sindhutirtha, Shankarapapika, Nkradity, piacular Gndhwatirth, Dshashwmegadi shrine, Ananstirth Hrisiddhipradtirth Pishacadiatra, Hanumdishhwar Kvcheshwar Mahakleshhwaryatra, Vlmikeshhwar shrine, Shukreshwar and Nkshtreshwar orbiting anecdote, Kushsthli pilgrimage Akroor pilgrimage Akpadtirth Chandrarkvabwatirth, Krbeshtirth, Ldukeshtirth, Markndeshwartirth, Yjtrwapitirth, Someshvrtirth, Nrkantktirth, Kedareshw Rameshwar Subageshwar and Nradity shrine, Keshwadity shrine, Sktibedtirth Swarnsarmuk shrine, Ookareshwartirth, is praised by Andkasur chanting of Shiv sexes Kalvn and describe Swarnsrngeshwar shrine. The names of Kushasthali Avanti and Padmavati Kumudati of Ujjayanipuri, Amravati Vishala and Pralpappa are mentioned, their pronunciation is the fever of fever, then the bath in Shipra, etc. The story of Lord Shiva's praise of Hiranyaksa slaughtered by the serpents, Sundar Kundratirtha Nilganga Pushkarirtha Vyandhavasinthirth Purushottam Thirtha Agnashan Tirtha Gomtatirtha Vamankundirtha Vishnu Sahastra Name chanting Vireshwartirth Mahia of Kalbarwatirth Nagapanchami day Nrisinhazynti Kutumbeshwaryatra Devsadkkirtn, Krkrajtirth, Vigneshaditirth, Surohntirth, has been described. Several pilgrimages have been depicted in Rudraqund etc. Accordingly, there is a description of the pilgrim pilgrimage of eight shrines. After this the Mahatma of Narmada river has been described, in which Yudhishthar describes his association with the monogamy and Markandeyaji. After amazing tale, legend Bislya, Legend of Jaleshwar first Prlykalin describes the experience Amritkirtn fiction tale of Arsstotr Kalratri describe the different names of the Narmada Nrmdaji fiction, praise Mahadevji different cycle, details Guriwrt, Tripurdah legend, Dehpatvidhi, Kaveri Sangam, Darutirth, Brhmwart Ishwarktha, Agnitirth Surytirth Megnadadi pilgrimage Daruktirth Dewatir Narmadesh Tirtha Kapilatirth Karanjatirtha Kundale Tirtha Pipladithirtha Vimaleshvartirtha, Shulbhedhan Tirtha, the story of long life of different religions, the anecdote of Rishi Shring, the pious story of Chitrasen, the salvation of Kashiraj, the story of Devshila, Shabriti Teerth, sacred rituals, Chintiartharth Arctitirtha Aditya Vartirtha, Shakratirtha, Karotitirtha, Kumareshvaritirtha Ageshwarvarthirtha Anandeshwarartharth MattharthaLokeshvar, Dneshwar Mngleshhwar and Kamjtirth Nageshwartirth Vrneshwartirth Ddiskndaditirth Hanumdishhwartirth Rameshwartirth Someshwartirth Pingleshhwartirth Hrinmoksheshwar Kpileshhwar Putikeshhwar, Jleshy, Cndark Ymtirth Kalhodishhwar Nandikeshhwar Narayneshwar Kotishhwar Wyasatirth Prbasatirth Snkarsntirth Prsreshwartirth Arnditirth Suvarnshilatirth, Krnjtirth, Kamrtirth, Andirtirth, Rohinibwatirth Chakratirth Dutpaptirth Aangirsatirth Kotitirth Anyonytirth Angartirth Trilochntirth Indraeshtirth Kmbukeshtirth, Somteshtirth, Kohleshtirth, Nrmdatirth, Arktirth, Agneytirth, Uttmbargveshwartirth, Brahmtirth, Dawatirth, Margeshtirth, Adiwaraheshwar, Rameshwartirth, Siddheshwartirth, Ahlyatirth, Kankteshwartirth, Skratirth, Somtirth, not Eshtirth, Koyeshtirth, the interpretation of Rukmini etc. pilgrimages. Simultaneously, the description of the pilgrimages in the Nagar section is the description of the places of Shiva with various names in Prabhaskhand.

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