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A new twist came in Hindi poetry around 1700 AD. It is particularly encouraged by the immediate court culture and Sanskrit literature. Certain pieces of Sanskrit literature have influenced him towards classical discipline. In Hindi the word 'riti' or 'poetry' was used for poetry. Therefore keeping in view the descriptive majority of scriptural works of poetry and generosity, rhetoric, etc., the poetry of this period is called 'Ritikavya'. The clear indications of the ancient tradition of the erotic trends of this verse are found in the artistic tendencies of Sanskrit, Prakrish, Apabhramsa, Persian and Hindi, and Adarakya of Krishna Kavya.

There are many poets such as Acharya who have also written in this period and who wrote texts giving the symptoms of various Kavangongs. In this era the beauty of the makeup remained. This era is an age of free-form creation. Mainly poetry, attitude and couplets were written in this age.

The poets were patronized, so the poems of this era were mostly courtiers, which in turn resulted in a special amount of miraculous euphemisms, but the poem also became confused with the general public.

Most of the poets of Ritikal were court officers. Keshavdas (Orchha), Pratap Singh (Charkhari), Bihari (Jaipur, Amer), Matiram (Bundi), Bhushan (Panna), Chintamani (Nagpur), Dev (Pihani), Bhikhari Das (Pratapgarh-Awadh), Raghunath (Kashi) Varanasi Mishra (Jaipur), Nevaj (Panna), Surti Mishra (Delhi), Kavindra Udaynath, Benni (Kishangarh), Gang (Delhi), Tikaram (Baroda), Gwal (Punjab), Chandrashekhar Bajpai (Patiala), Harnam (Amethi), Rishinath (Kashi), Ratan Kavi (Srinagar-Garhwal), Beni Bandis (Awadh), Beni Pravin (Lucknow), Brahmadatt (Kashi), Thakur Bundelkhandi (Jaitpur), Bodha (Panna), Guaman Mishra (Pihani) etc. and many poets were the only kings, such as Maharaj Jaswant Singh (Triva), Bhagvant Rai Kuchi, Bhupati, Rasnidhi (Zamindar of Datia), Maharaj Vishwanath, Dwijdev (Maharaj Mansingh).

Ritikavya composition was started by a sanskritian. These were Acharya Keshavdas, whose famous works are Kavipriya, Raspakriya and Ramachandrika. In Kalipriya there is an example of rasa in Alankar and Raspakriya. The symptoms are both in the couplet and in the example kavitstaswai. This tradition of syllogic-texts evolved into ritikavya. Ramchandra Kesava is the epitome of poetry in which the intense art consciousness of a conscious artist erupted in place of devotion of devotion. After several decades of Keshav, from Chintamani to the eighteenth century, there was a rich source of ritualism in Hindi, in which the extremely artistic expression of the delightful parties of the male and female life and its gravity sensations became widespread. introduction

Ritikal's poets lived in the shelter of kings and nobles. There was a natural atmosphere and entertainment atmosphere. The main instrument of intellectual bliss was considered to be speechless. The literature written in such an environment was mostly decorative and artistic. But at the same time there are also free singers of love who have touched the depths of love. Both the quantities and poetic virtues are important in this time, the poem of poetry is important for the feminine love and beauty of this time.

Veerakav was also written at this time. The frustration of the Mughal ruler Aurangzeb, and the collision of aggressive politics, in which the conditions of the turmoil came during this period, he also inspired some poets to create heroism. In such poets, Bhushan is the chief who, despite adopting the rituals, described the heroic heroism as mighty. At this time poetry related to policy, devotion and devotion was also written. A number of manipulations were also created. In this research here, the unconstructive compositions and arrangements of this time are being found in abundant quantities. Therefore, it is not fair to think of ritikaline poetry as a one-off and unitary. In the poetic of this time, all the tendencies of the predecessors were active. This main stream is of Shringarakavya which has been considered as the true exponent of poetry of this time. The erotic poetry is divided into three sections. The first category is of the recited poets, whose representatives are Keshav, Chintamani, Bhikhari Das, Dev, Matiram and Padmakar etc. These poets have made the poignant euphoria of love and beauty in poetry by giving the signs of juice, decoration and heroine in both the parties. There is more to follow the classical discussion as described in Sanskrit literature. But some have even seen some originality, such as the representation of Hindi verses of Bhikhari Das. The second class belongs to the well-known poets. These poets did not denote signs, only on their basis of poetry. Bihari is the best among them, who presented their "Satasai" in the couple of days.The unique number of expressive expressions of love between various currencies and love's idioms are found in their poetry. In the third category, the poet, Ghananand, Bodda, Dijijdev Thakur, Is a manifestation of the very effective expression of love and intensity of love. Land.

Ritika is the verse of mainly fleshy makeup. It has a beautiful opening to the delightful parties of male and female life. There is more poetry in the open-ended style, but there is also the work of meditation. In these two hundred years there was a phenomenal development of art of love. But gradually the rigidity of the system increased and the horror of Hindi poetry narrowed. Coming down to the modern era, the attention of the writers was especially fascinated by these two shortcomings.

History is a testimony that during this era of its defeat, this era was of glorious development. There were five to five thousand rupees in the harem of the Mughal court. Mina used to be a market, it was a free trade of Sura and Sundari. Dr. Nagendra writes, "The ocean of lust was emerging from such a strong velocity that all the prohibition efforts of the emperor purifyment went away in it, and Amir-Umrao ignored his prohibited letters in the wine pots. Were in quantity. " Padmakar has outlined the outline of the court of the same Darbar - Gulguli is the rug in the gill, the gunis are, Moonlight is the chicken's necklace. Kama ki Padmakar Tyag, Gajak Gija is adorned Sage is a jarah are sur and are cups. Do not take care of Sisir's trunk, Under which are the Aty Udid Masala. Tan takak lock is humorous, Subala is, Dusla is a Visala painting. 6

Egoism, beauty, heroism and fancy are the major characteristics of this era. Often all poets have adopted Braj-language. As an example, while writing the signs of independent poetry, Rasa, Alankar etc., especially in the form of the makeup and horrors of the makeup - Saras compositions were written in this era. Bhushan's poet also gave the compositions of Veer Ras. Art-side is richer than brother-side No attention was paid to the power of the word, nor was the discussion of dramatic science. The subjects became hesitant and the originality started decreasing. There were many poets at this time - Keshav, Chintamani, Dev, Bihari, Matiram, Bhushan, Ghananand, Padmakar etc. Of these, Keshav, Bihari and Bhushan can be considered as representative poet of this age. Bihari fully developed the possibilities of the two. You may be considered a representative poet of the time.

Poets of this era can be divided into three categories -

(१) रीतिबद्ध कवि

(२) रीतिमुक्त कवि

(३) रीतिसिद्ध कवि

Scholars also believe that poets of this era have fulfilled full boundaries in poetry. Even though there is a dark but sweet poem, there is no denial of restriction anywhere. Also see them Hindi literature Primer Devotional period History of modern Hindi verse

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