Compositions of Mahadevi Verma
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Mahadevi Verma's creation world is very broad. In which prose, verse, painting and child literature are all contained. His composition has expanded for more than 50 years and he has been trying to create something by the end of his life. In this article, attempts have been made to include almost all of his compositions.
Poetry Collection Deepshikha
Mahadevi Varma has eight collections of poems - 1. Neighbor (1930),: 2. Rashmi (1932), 3: Neerja (1934), 4: Santhuji (1936),: 5. Deepshikha (1942), : 6. Saptaparna (translated 1959),: 7. First Dimension (1974) and: 8. Fire liner (1990) Compilation
Besides this, some such compilation collections are also published, in which the selected compositions of the above compositions have been compiled, such as 1. Spirit, 2.Enterrorism, 3.Interval, 4. Sandhini (1965), 5. Yama ( 1936), 6. Songperv, 7. Deepak, 8. Souvenir, 9. Himalaya (1963) and 10. Modern poet Mahadevi etc. Lamp song Drawing 1 movie of the past (1941) and: 2 lines of memory (1943) Memoir
1. Path's companions (1956), 2. My family (1972), 3. Memorial (1973) and 4. Memoirs (1983) Essay collection Links of 1 Series (1942),: 2 Critical Progress (1942), 3: The Faith of the Literary and Other Essays (1962), 4 Sankalpita (1969) Collection of fine essays
Apart from the creative prose, the Mahavdavi's critical prose and Deepshakha, Yama and the modern poet- Mahadevi, are considered as a model of excellent prose-writing. His pen has also composed the child literature.
From the bottom to the fire line Diet
His first song is poetry collection. Songs composed of this collection are from 1924 to 1928. Mahadevi Verma's statement itself is remarkable in relation to the subject of neecha- "In the composition of the Neighborhood, my perceptions were of similar kind of mixed pain, such as the unexplained golden eruptions that are visible in the mind of the child and the light merges away from the touch Is produced by the first philosophy. " These songs have a natural expression of mixed pangs. Rashmi
Rashmi Mahadevi Verma's second collection of poems. There are compositions from 1927 to 1931. It seems that Mahadevi ji's contemplation and philosophy are outspoken. Therefore, there is greater emphasis on philosophical thought and interpretation than cognition. An immortal song sung on the stars of vibrations - Mahadevi Neerja
Rashmi's contemplation and philosophy is more clear and mature. Kaviyitri feels pleasure in pain and pain while coordinating happiness and misery. He has reached that harmonious compound, where sad pleasures become unconcerned, and the sweet juice of pain becomes the basis of its harmony. In the composition of this harmony, it becomes even more mature and pure, so that Sadhika is so close to the beloved that she starts to understand the distance between herself and the beloved as the match. Lamentation
contains songs composed from 1934 to 1936 AD. These songs get a mature form of Neerja's expressions. Here is the coordination of not only happiness and pain but also tears and pain, union and separation, hope and disappointment and bondage. Deepshikha has songs from 1936 to 1942 AD. The main manifestation of the songs in this collection is to erase itself and make the other happy. This is the poetry of Mahadevi's Siddhavastha, in which the lamp of Sadhika's soul is unshaken and incomprehensible, it has merged into the unbroken light of the Adoration. Fire lining
In the last days of Mahadevi's compositions are stored which will also overwhelm the readers and also amazed, in the sense that the vow of pain and compassion in Mahadevi poetry, which has become their identity since time. Many types of compositions have been written in the 'Agnireekha' by assuming the lamp as a symbol. There are also poems on many topics as well. Deepshikha
The official topic of the songs of Mahadevi Verma in Deepshikha is 'Prem'. But the significance of love has been solved in the suffering of more than happy moments of union. Saptarthana
Mahadevi has presented this Hindi proverb in 39 selected critical pieces by establishing the identity of the works of Vedas, Ramayana, Ther Gatha, Ashwaghosh, Kalidas, Bhavabhuti and Jayadeva with the help of their cultural consciousness in Sapepta. At the beginning, in the 61st 'Dosti', he has presented a deeply researched science about Indian Manisha and this priceless heritage of literature. Under 'Saptaparna', Mahadevi Verma has honored Jaidev on the seventh step after Awarena, Valmiki, Theragatha, Ashwaghosh, Kalidas and Bhavabhuti. He has told that when Jaidev (the first of the 12th century) was born, Radhakrishna's status as a hero and heroine of the Sanskrit poetry of poetry was done ... Mahadevji selected Sanskrit and Pali literature in 'Saptaparna' While presenting the poetry of degrees, your vision is centered on the history of Indian thought and aesthetics tradition. There is no doubt that this masterpiece is capable of empowering them as a successful creative poet, literary historian and culture-thinker. in short
Neighbor is the creation of the life of the dawn, in which the truth is hidden in the quench is also appealing and curious. 'Rashmi' is the composition of early days of puberty. When the rays of truth wake up the flames of wisdom in the soul. 'Neerja' is a work of poetic mental status, in which, like Kamalini, she scratches on her sadhna path in bright light of the day. In the 'Sanghuji', there is a tendency to return to the spiritual home of Spirit as well as the compassion and quietness of life during the evening. In Deepasikhakhya, the spirit of burning the lamp of life in front of Adorable in the calm, dreary and zero environment of the night is prominent. In this way, he has clarified the significance of his life and spiritual life by dividing him into the five symbolic headlines of his life.
Due to this solitary practice of pain, the variety of subjects in Mahadevi's poem is very small. Some of his poems are such that national and cultural enlightenment or independent depiction of nature has occurred. In the rest of his poems, his poetic lands could not expand due to the same content and attitude. This has both their loss and profit in poetry. The disadvantage is that there is a lot of monotony and bhavavtan in their poetry because of not having any subject change. The advantage is that within the limited area, the poet has portrayed many dimensions of the phenomena with many points of view, keeping their nuances in front of the dialectics. In this way, their poetry may not have extended magnitude and philosophical gravity, but the severity of their emotions, the subtlety of perceptions, the clarity of the figures and the lack of imagination are the result of seriousness and importance. In this way their poetic detail is not the depth of poetry.
Mahadevi's poetry is not descriptive and chronological. He has expressly expressed inner spiritual phenomena in the form of emotional attachment. For this reason their symposium system has a lot of semiotics and expression. The captivating images that they have presented with the help of metaphorical figures and symbols give their subtle vision and the power of colorful imagination. These pictures they have taken with their paraphernalia, especially the natural environment, but they have assumed very little in the form of latency. Nature has always been painted in his poetic form in the form of stimulation, deck, symbol and hint. For this reason, he has made his poetic contribution to nature's most familiar and full-fledged scenes or objects. His extraordinary and unfamiliar scenes have not taken his attention. Even though they have painted complete or partial images through limited natural ingredients, they get a full introduction to their imagery imagery. The philosophy of this imagination is also in his paintings, which he has not created by words, through colors and paintings. These pictures have been published with poems in 'Deepshikha' and 'Yama'. Poetic poetry in prose Mahadevi's leading prose works
Mahadevi Verma has written - "There is no name other than artist of touching the paras of art, there is no other than a seeker, no money other than truth, no business other than spirit and no business and welfare There is no benefit other than that. ' In the writing period, he became loyal and meaningless in meaningful creation and in the cultivation of artistic life, he made the meaning worthwhile. There is only one Mahadevi who has experienced the poetry of poetry in prose and has rendered the words 'Ghadan kavinam niksha vadanti'. The strange thing is that neither he wrote novel, neither the story nor the drama is still the best of the prose actors. In his book writing, there are sketches, memoirs, or travels on the other, on the other hand editorials, roles, essays and addressing, but all of them have a wide variety of life. Any creator can earn so much in the prose for avoiding imaginative forms, it can be known only by reading Mahadevi. Mahadevi Verma, Goddess of the tranquility of Karun Rasa, in Hindi literature, is not only a special artist, poet and prose writer, but it is also a great essayist. Like his poetic poem, he does not take us away from life by putting it in the forgery of beauty, he gives us the inspiration to look in real life by filling his consciousness in our veins. Memory lines and past films
Continued curiosity in memory of the memory and Mahadevi on the basis of the past, immortalized these characters by portraying the diverse forms of life with utmost relentlessly through unimaginable lines on the basis of memory. Among them are the strong and caring images of the oppressed, due to the poor, poor people of the village, the victims, the insurers, the remarriages, and the alleged corruption and old age. Not only females, Mahadevi has also correctly depicted the neglected male class. The sketches of Rama, Ghesa, Aloopi and Chalu etc. point to their extraordinary humanism. Mahadevi has portrayed the characteristics, weaknesses and problems of the lower class characters in most of their sketches. Servant Rama's Vatsalya Seva, Bhangin Sabiya's Husband - Absolute and Tolerant, Absolutely Gurubhisha of Gheea, Dealers of Sage-Vegetables, Simple Personality of blind Alopi, Swatch of potter and simple couples love of Radhwa, Lakma's palanquin affection for Lord Mahadevi. -Application, the profoundness of elderly devotion and self-devotion, the compassionate life-story of the Chinese youth, the poet Kulwi Jangbahadur and his Anuj Cori Mtta etc. ranked sketches on a variety of subjects. Mahadevi has presented all the memorials from within his life, so it is natural that in it various places of his own life and various parts of his character have got place. They have given their experiences exactly as they have been mentioned. It is noteworthy here that in the sketches of Mahadevi, the element of characterization has been prominent, the story has appeared in its form. These sketches have also included enough of serious folk. Links to Path and Links to Series
Mahadevi has portrayed his contemporary compositions in 'Path Saathi'. In the respect and affirmative manner they have established the life-philosophy and the spiritual greatness of these writers, it is a great achievement in itself. There are memoirs in 'Path Saathi' and also the life page of poets taught by Mahadevi. On one hand, he has made poetic mention of the proximity, affinity and influence of the writers and on the other hand has tried to test his overall life philosophy. The lines of poetry Ravindra, Dadda (Maithilisharan Guptak), Prasad, Nirala, Pant, Subhadkumari Chauhan and Siyaram Sharna Gupta have come in the form of word pictures in 'Path Seven'. Links to the series' (1942 AD) are compiled by their thoughtful essays written in connection with the social problems, especially the burning questions of the impoverished woman's life. other
In addition to creative prose, his critical talent can be easily felt in 'Mahadevi's critique of prose' and 'Deepshikha', 'Wama' and 'Modern Poetry - Mahadevi'. Apart from this, Gillu's story collection and collection of two poems- 1. Thakurji is innocent and 2. Today, Jwala will buy a beautiful example of his hair-writing.
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